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Austin Pendleton must be the hardest working man in New York theater; he always seems to be either acting in or directing some production. This year is an especially busy one for him, and I was thrilled […] Comment

The Wrong Lessons

The gaining of self-knowledge is at the heart of “The Miseducation of Cameron Post,” bisexual filmmaker Desiree Akhavan’s (“Appropriate Behavior”) bittersweet adaptation of Emily M. Danforth’s novel about a teen forging her independence and finding her identity in the face of repression. Comment

Hold the Testosterone

“Straight White Men,” the latest offering from Second Stage Theater, was not created by straight white men. The playwright is Young Jean Lee, in her Broadway debut, and Anna D. Shapiro (“August: Osage County”) is at the helm. Which is a clue that this quirky comic drama is not just about these types, lately maligned as villains in American culture, but also about society’s perception of them. Comment

Faith and Absolution

People commonly say that the dividing line between art and entertainment is that only the former is challenging. But what exactly that means is up for debate: the books of Jane Austen and films of Howard Hawks certainly count as art, but there’s nothing particularly difficult about “Sense and Sensibility” or “His Girl Friday.” With time, the innovations of the past — like Frank Sinatra making the first pop album devised as a cohesive whole with “In the Wee Small Hours” — become commonplace and mainstream. Comment

A Pimp’s Own Story

Filmmaker Matt Tyrnauer’s documentary “Scotty and the Secret History of Hollywood’ is an expansion of Scotty Bowers’ 2012 tell-all memoir, “Full Service,” about his experiences as a pimp for closeted celebrities. Comment
I had a week of theater in London with a very high body count — from civilian victims of terrorism and war to post-war suicides to lives wrecked by infidelity. I saw one masterpiece, the world premiere of a 90-year-old gay-themed play, a joyful salute to a teen drag queen, and some well-intentioned misses. Comment

Le Mot Juste

Le Mot Juste

Rob Tregenza has worn many hats: distributor, director, cinematographer. His company Cinema Parallel released films by Michael Haneke, Jean-Luc Godard, Jacques Rivette, and Béla Tarr in the US before going under in the late 1990s. He went on to work as a cinematographer for Tarr, as well as Alex Cox. However, he’s only been able to direct three more films since completing “Talking To Strangers” in 1987, and although he’s American, his latest, “Gavagai,” was shot in Norway. Comment

Working It or Working Too Hard

Working It or Working Too Hard

If you make no other theater plans in the next couple of weeks, do whatever you can to catch “Carmen Jones” at Classic Stage Company. This spectacular, intimate production of what has long been a problematic work is fresh, vibrant, and alive with extraordinary talent and emotion. John Doyle has stripped the show down to its essential humanity and the result is powerful and moving in a way that recalls the novels of Steinbeck. Comment

Several Solid Innings in Cooperstown

Glimmerglass presents two American works this summer: the Pulitzer Prize-winning “Silent Night” by Kevin Puts (libretto by the justly busy Mark Campbell) and centenarian Leonard Bernstein’s […] Comment


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